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objects: 1
pictorial wrappers
offset-printed
paperback
color
22.1 x 17.6 cm.
55 pp.
edition size 1500
unsigned and unnumbered
ISBN 1885998627
Exhibition catalogue published in conjunction with show held September 30 - November 22, 2003. Curated and with an introduction by Anthony Panzera. Includes interview with Vincent Longo by Michael Brenson. Includes biography and bibliography. ... [details]
pictorial wrappers
offset-printed
glue bound
color
22.1 x 17.6 cm.
55 pp.
1500
unsigned and unnumbered
1885998627
Exhibition catalogue published in conjunction with show held September 30 - November 22, 2003. Curated and with an introduction by Anthony Panzera. Includes interview with Vincent Longo by Michael Brenson. Includes biography and bibliography. ... [details]
cloth boards with dust jacket
offset-printed
hardcover
black-and-white
23.5 x 18.5 cm.
416 pp.
edition size unknown
unsigned and unnumbered
ISBN 262072416
Critical theory by Oliver Grau. "Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book, Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of art and the image and relates those concepts to interactive art, interface design, agents, telepresence, and image evolution. Grau retells art history as media history, helping us to understand the phenomenon of virtual reality ... [details]
cloth boards with dust jacket
offset-printed
sewn bound
black-and-white
23.5 x 18.5 cm.
416 pp.
unknown
unsigned and unnumbered
262072416
Critical theory by Oliver Grau. "Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book, Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of art and the image and relates those concepts to interactive art, interface design, agents, telepresence, and image evolution. Grau retells art history as media history, helping us to understand the phenomenon of virtual reality ... [details]
pictorial wrappers
offset-printed
paperback
black-and-white & color
19.9 x 15.5 cm.
112 pp.
edition size unknown
unsigned and unnumbered
ISBN 3775791450
The works of the New York-based artist Vito Acconci (born 1940) are more often than not about creating a public defined via the body - from his radical performances at the beginning of the seventies to his unusual architectural designs since the establishment of the Acconci Studio at the end of the eighties. His work Courtyard in the Wind for the new building of the Technisches Rathaus in Munich, a building which houses the city´s architectural department, was the first permanent structure by Acconci to be realized in a public space: A revolving ring of landscape in the courtyard may ... [details]
Berlin, 
Germany, 

Specific Object may earn commissions from links on this page.

pictorial wrappers
offset-printed
sewn bound
black-and-white & color
19.9 x 15.5 cm.
112 pp.
unknown
unsigned and unnumbered
3775791450
The works of the New York-based artist Vito Acconci (born 1940) are more often than not about creating a public defined via the body - from his radical performances at the beginning of the seventies to his unusual architectural designs since the establishment of the Acconci Studio at the end of the eighties. His work Courtyard in the Wind for the new building of the Technisches Rathaus in Munich, a building which houses the city´s architectural department, was the first permanent structure by Acconci to be realized in a public space: A revolving ring of landscape in the courtyard may ... [details]
Berlin, 
Germany, 
 

Specific Object may earn commissions from links on this page.

offset-printed
nobinding
black-and-white
15.2 x 10.1 cm.
[2] pp.
edition size unknown
unsigned and unnumbered
Double sided postcard / announcement published in conjunction with show held October 15 - November 30, 2003. ... [details]
New York, 
NY, 

offset-printed
black-and-white
15.2 x 10.1 cm.
[2] pp.
unknown
unsigned and unnumbered
Double sided postcard / announcement published in conjunction with show held October 15 - November 30, 2003. ... [details]
paper over boards issued without dust-jacket
offset-printed
hardcover
black-and-white
17.6 x 12.6 cm.
60 pp.
edition size unknown
unsigned and unnumbered
ISBN 978285893729x
Exhibition catalogue / artist's book by Peter Downsbrough published in conjunction with show held October 21, 2000 - January 28, 2001. Essay by Richard Klein. Text in French and English. ... [details]
paper over boards issued without dust-jacket
offset-printed
sewn bound
black-and-white
17.6 x 12.6 cm.
60 pp.
unknown
unsigned and unnumbered
978285893729x
Exhibition catalogue / artist's book by Peter Downsbrough published in conjunction with show held October 21, 2000 - January 28, 2001. Essay by Richard Klein. Text in French and English. ... [details]
paper over boards issued without dust-jacket
offset-printed
hardcover
color
26 x 19 cm.
56 pp.
edition size unknown
unsigned and unnumbered
ISBN 916365654
Exhibition catalogue published in conjunction with show held September 4 - November 2, 2002, Portland Institute for Contemporary Art, Oregon. Traveled January 6 - March 1, 2003, Western Gallery, Western Washington University, Bellingham, Washington; March 20 - May 11, 2003, Dalhousie Art Gallery, Dalhousie University, Halifax, Nova Scotia; et al. Essay by Stuart Horodner. Artists include Francis Alÿs, Eleanor Antin, Janine Antoni, Paul Ramírez Jones, Mawry Baden, Jim Campbell, Janet Cardiff, George Bures Miller, Hamish Fulton, Sharon Harper, Martin Kersels, Toni Marioni, Matthew McCaslin, François Morelli, Douglas Ross, Nancy Spero, Rudolf Stingel and Richard Wentworth. Includes artist biographies and exhibition ... [details]
paper over boards issued without dust-jacket
offset-printed
sewn bound
color
26 x 19 cm.
56 pp.
unknown
unsigned and unnumbered
916365654
Exhibition catalogue published in conjunction with show held September 4 - November 2, 2002, Portland Institute for Contemporary Art, Oregon. Traveled January 6 - March 1, 2003, Western Gallery, Western Washington University, Bellingham, Washington; March 20 - May 11, 2003, Dalhousie Art Gallery, Dalhousie University, Halifax, Nova Scotia; et al. Essay by Stuart Horodner. Artists include Francis Alÿs, Eleanor Antin, Janine Antoni, Paul Ramírez Jones, Mawry Baden, Jim Campbell, Janet Cardiff, George Bures Miller, Hamish Fulton, Sharon Harper, Martin Kersels, Toni Marioni, Matthew McCaslin, François Morelli, Douglas Ross, Nancy Spero, Rudolf Stingel and Richard Wentworth. Includes artist biographies and exhibition ... [details]
pictorial wrappers
offset-printed
paperback
black-and-white
19 x 15.1 cm.
[20] pp.
edition size unknown
unsigned and unnumbered
Fön 55 Aleksandra Mir
Fön 55 Aleksandra Mir 
Small scale exhibition catalogue / artist's book published in conjunction with show held April 12 - June 9, 2003. Includes an interview with Aleksandra Mir by Gianni Jetzer. Texts in English and German. ... [details]
St. Gallen, 
Switzerland, 

pictorial wrappers
offset-printed
staple bound
black-and-white
19 x 15.1 cm.
[20] pp.
unknown
unsigned and unnumbered
Small scale exhibition catalogue / artist's book published in conjunction with show held April 12 - June 9, 2003. Includes an interview with Aleksandra Mir by Gianni Jetzer. Texts in English and German. ... [details]
St. Gallen, 
Switzerland, 
 
cloth boards with dust jacket
offset-printed
hardcover
black-and-white & color
31 x 23.5
230 pp.
edition size unknown
signed and unnumbered
ISBN 262025523
Exhibition catalogue published in conjunction with show held at the University of North Texas Art Gallery, Denton, January 16 - February 25, 2003. Traveled to H & R Block Artspace at the Kansas City Art Institute, Missouri, June 6 - September 6, 2003; the Institute of Contemporary Art at Maine College of Art, Portland, June - October 2004. With text by Mark H.C. Bessire, Dr. Gao Minglu, Dr. Gan Xu, Dr. Jennifer Way, Cindy M. Foley, Brighid Diers, Sage Lewis, and the artist. Also includes an interview between the artist and Dr. David Cateforis, exhibition history, and bibliography. Profuse full-color ... [details]
Cambridge, 
MA, 

 
cloth boards with dust jacket
offset-printed
sewn bound
black-and-white & color
31 x 23.5
230 pp.
unknown
signed and unnumbered
262025523
Exhibition catalogue published in conjunction with show held at the University of North Texas Art Gallery, Denton, January 16 - February 25, 2003. Traveled to H & R Block Artspace at the Kansas City Art Institute, Missouri, June 6 - September 6, 2003; the Institute of Contemporary Art at Maine College of Art, Portland, June - October 2004. With text by Mark H.C. Bessire, Dr. Gao Minglu, Dr. Gan Xu, Dr. Jennifer Way, Cindy M. Foley, Brighid Diers, Sage Lewis, and the artist. Also includes an interview between the artist and Dr. David Cateforis, exhibition history, and bibliography. Profuse full-color ... [details]
Cambridge, 
MA, 
 
folded broadsheet
offset-printed
hardcover
color
23 x 20.5 cm.
[6] pp.
edition size unknown
unsigned and unnumbered
Exhibition brochure published in conjunction with show held October 4 - December 14, 2003. Essay by Bill Fagaly. ... [details]
folded broadsheet
offset-printed
accordion
color
23 x 20.5 cm.
[6] pp.
unknown
unsigned and unnumbered
Exhibition brochure published in conjunction with show held October 4 - December 14, 2003. Essay by Bill Fagaly. ... [details]
cloth boards with dust jacket
offset-printed
hardcover
black-and-white & color
32.7 x 32.3 cm.
175 pp.
edition size unknown
unsigned and unnumbered
ISBN 3908247691
Monograph on the photography of William Eggleston edited and with an essay by Thomas Weski. Introduction by William Hopps. "While driving through New Mexico in 1973, William Eggleston stopped at Lost Alamos, the forested site of the atomic bomb's clandestine development. He chose 'Los Alamos' as the title for a sprawling body of work then nearing completion: approximately twenty-two hundred images photographed between 1966 and 1974." -- from Walter Hopp's introduction. Text in English and German. ... [details]
Zurich / Berlin / New York, 
Switzerland / Germany / NY, 

 

Specific Object may earn commissions from links on this page.

cloth boards with dust jacket
offset-printed
sewn bound
black-and-white & color
32.7 x 32.3 cm.
175 pp.
unknown
unsigned and unnumbered
3908247691
Monograph on the photography of William Eggleston edited and with an essay by Thomas Weski. Introduction by William Hopps. "While driving through New Mexico in 1973, William Eggleston stopped at Lost Alamos, the forested site of the atomic bomb's clandestine development. He chose 'Los Alamos' as the title for a sprawling body of work then nearing completion: approximately twenty-two hundred images photographed between 1966 and 1974." -- from Walter Hopp's introduction. Text in English and German. ... [details]
Zurich / Berlin / New York, 
Switzerland / Germany / NY, 
 

Specific Object may earn commissions from links on this page.

pictorial wrappers
offset-printed
paperback
black-and-white & color
28 x 22 cm.
208 pp.
edition size unknown
unsigned and unnumbered
ISBN 3883757616
Exhibition catalogue published in conjunction with show held December 13, 2003 - February 29, 2004. "For several years now, film and video have determined contemporary art and exhibitions on a scale unheard of since the 1960s and 1970s, but rarely have these roots themselves been explored. X-Screen presents a comprehensive historical analysis of expanded forms of filmic projection, arranging a complex constellation of films, performances, and installations according to three categories. First is an exploration of the expansion of the field of projection, understood as part of Happenings, as well as Fluxus and Pop performances. Work by Robert Whitman, Carolee ... [details]
pictorial wrappers
offset-printed
sewn bound
black-and-white & color
28 x 22 cm.
208 pp.
unknown
unsigned and unnumbered
3883757616
Exhibition catalogue published in conjunction with show held December 13, 2003 - February 29, 2004. "For several years now, film and video have determined contemporary art and exhibitions on a scale unheard of since the 1960s and 1970s, but rarely have these roots themselves been explored. X-Screen presents a comprehensive historical analysis of expanded forms of filmic projection, arranging a complex constellation of films, performances, and installations according to three categories. First is an exploration of the expansion of the field of projection, understood as part of Happenings, as well as Fluxus and Pop performances. Work by Robert Whitman, Carolee ... [details]
objects: 1