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objects: 1
cloth boards with dust jacket
offset-printed
hardcover
black-and-white
23 x 18.5 cm.
333 pp.
edition size unknown
unsigned and unnumbered
ISBN 9780262113083
Critical theory by Liz Kotz. "Language has been a primary element in visual art since the 1960s -- whether in the form of printed texts, painted signs, words on the wall, or recorded speech. In Words to Be Looked At, Liz Kotz traces this practice to its beginnings, examining works of visual art, poetry, and experimental music created in and around New York City from 1958 to 1968. In many of these works, language has been reduced to an object nearly emptied of meaning. Robert Smithson described a 1967 exhibition at the Dwan Gallery as consisting of 'Language to be ... [details]
Specific Object may earn commissions from links on this page.
cloth boards with dust jacket
offset-printed
sewn bound
black-and-white
23 x 18.5 cm.
333 pp.
unknown
unsigned and unnumbered
9780262113083
Critical theory by Liz Kotz. "Language has been a primary element in visual art since the 1960s -- whether in the form of printed texts, painted signs, words on the wall, or recorded speech. In Words to Be Looked At, Liz Kotz traces this practice to its beginnings, examining works of visual art, poetry, and experimental music created in and around New York City from 1958 to 1968. In many of these works, language has been reduced to an object nearly emptied of meaning. Robert Smithson described a 1967 exhibition at the Dwan Gallery as consisting of 'Language to be ... [details]
Specific Object may earn commissions from links on this page.
pictorial wrappers
offset-printed
paperback
black-and-white & color
28 x 22 cm.
208 pp.
edition size unknown
unsigned and unnumbered
ISBN 3883757616
Birgit Hein, Branden Joseph, Eric de Bruyn, Gabriele Jutz, Liz Kotz, Malcolm LeGrice, Matthias Michalka, Maxa Zoller, Pamela Lee, Sabeth Buchmann
Exhibition catalogue published in conjunction with show held December 13, 2003 - February 29, 2004. "For several years now, film and video have determined contemporary art and exhibitions on a scale unheard of since the 1960s and 1970s, but rarely have these roots themselves been explored. X-Screen presents a comprehensive historical analysis of expanded forms of filmic projection, arranging a complex constellation of films, performances, and installations according to three categories. First is an exploration of the expansion of the field of projection, understood as part of Happenings, as well as Fluxus and Pop performances. Work by Robert Whitman, Carolee ... [details]
Köln / Wien,
Germany / Austria,
,
pictorial wrappers
offset-printed
sewn bound
black-and-white & color
28 x 22 cm.
208 pp.
unknown
unsigned and unnumbered
3883757616
Birgit Hein, Branden Joseph, Eric de Bruyn, Gabriele Jutz, Liz Kotz, Malcolm LeGrice, Matthias Michalka, Maxa Zoller, Pamela Lee, Sabeth Buchmann
Exhibition catalogue published in conjunction with show held December 13, 2003 - February 29, 2004. "For several years now, film and video have determined contemporary art and exhibitions on a scale unheard of since the 1960s and 1970s, but rarely have these roots themselves been explored. X-Screen presents a comprehensive historical analysis of expanded forms of filmic projection, arranging a complex constellation of films, performances, and installations according to three categories. First is an exploration of the expansion of the field of projection, understood as part of Happenings, as well as Fluxus and Pop performances. Work by Robert Whitman, Carolee ... [details]
Köln / Wien,
Germany / Austria,
objects: 1