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objects: 1
cloth boards with dust jacket
offset-printed
hardcover
black-and-white & color
31 x 23.5
230 pp.
edition size unknown
signed and unnumbered
ISBN 262025523
Exhibition catalogue published in conjunction with show held at the University of North Texas Art Gallery, Denton, January 16 - February 25, 2003. Traveled to H & R Block Artspace at the Kansas City Art Institute, Missouri, June 6 - September 6, 2003; the Institute of Contemporary Art at Maine College of Art, Portland, June - October 2004. With text by Mark H.C. Bessire, Dr. Gao Minglu, Dr. Gan Xu, Dr. Jennifer Way, Cindy M. Foley, Brighid Diers, Sage Lewis, and the artist. Also includes an interview between the artist and Dr. David Cateforis, exhibition history, and bibliography. Profuse full-color ... [details]
Cambridge, 
MA, 

 
cloth boards with dust jacket
offset-printed
sewn bound
black-and-white & color
31 x 23.5
230 pp.
unknown
signed and unnumbered
262025523
Exhibition catalogue published in conjunction with show held at the University of North Texas Art Gallery, Denton, January 16 - February 25, 2003. Traveled to H & R Block Artspace at the Kansas City Art Institute, Missouri, June 6 - September 6, 2003; the Institute of Contemporary Art at Maine College of Art, Portland, June - October 2004. With text by Mark H.C. Bessire, Dr. Gao Minglu, Dr. Gan Xu, Dr. Jennifer Way, Cindy M. Foley, Brighid Diers, Sage Lewis, and the artist. Also includes an interview between the artist and Dr. David Cateforis, exhibition history, and bibliography. Profuse full-color ... [details]
Cambridge, 
MA, 
 
cloth boards with dust jacket
offset-printed
hardcover
black-and-white
23 x 18.5 cm.
333 pp.
edition size unknown
unsigned and unnumbered
ISBN 9780262113083
Critical theory by Liz Kotz. "Language has been a primary element in visual art since the 1960s -- whether in the form of printed texts, painted signs, words on the wall, or recorded speech. In Words to Be Looked At, Liz Kotz traces this practice to its beginnings, examining works of visual art, poetry, and experimental music created in and around New York City from 1958 to 1968. In many of these works, language has been reduced to an object nearly emptied of meaning. Robert Smithson described a 1967 exhibition at the Dwan Gallery as consisting of 'Language to be ... [details]
Cambridge, 
MA, 

 

Specific Object may earn commissions from links on this page.

cloth boards with dust jacket
offset-printed
sewn bound
black-and-white
23 x 18.5 cm.
333 pp.
unknown
unsigned and unnumbered
9780262113083
Critical theory by Liz Kotz. "Language has been a primary element in visual art since the 1960s -- whether in the form of printed texts, painted signs, words on the wall, or recorded speech. In Words to Be Looked At, Liz Kotz traces this practice to its beginnings, examining works of visual art, poetry, and experimental music created in and around New York City from 1958 to 1968. In many of these works, language has been reduced to an object nearly emptied of meaning. Robert Smithson described a 1967 exhibition at the Dwan Gallery as consisting of 'Language to be ... [details]
Cambridge, 
MA, 
 

Specific Object may earn commissions from links on this page.

paper boards with dust jacket
offset-printed
paperback
black-and-white
20.2 x 21 cm.
332 pp.
edition size unknown [two editions]
unsigned and unnumbered
ISBN 262160412
[Hardcover Edition]
[Hardcover Edition] 
Environmental and elemental art -- large-scale and sky art -- kinetic and technological art -- random happenings and programmed events -- multimedia shows: 'Zero 1, 2, 3' documents the birth, more than ten years ago, of these new tendencies in international art. It collects in one volume the three publications created by artists' collaborative, Group Zero, between 1958 and 1961. -- from book's end-flaps. Introduction by Lawrence Alloway. Orginally published in Germany in 1958 and 1961 by Otto Piene and Heinz Mack. English translation by Howard Beckman added in 1970. Includes texts by Franz Roh, Max Burchartz, Arnold Gehlen, Hans ... [details]
Cambridge, 
MA, 

 

Specific Object may earn commissions from links on this page.

[Hardcover Edition] 
paper boards with dust jacket
offset-printed
sewn bound
black-and-white
20.2 x 21 cm.
332 pp.
unknown [two editions]
unsigned and unnumbered
262160412
Environmental and elemental art -- large-scale and sky art -- kinetic and technological art -- random happenings and programmed events -- multimedia shows: 'Zero 1, 2, 3' documents the birth, more than ten years ago, of these new tendencies in international art. It collects in one volume the three publications created by artists' collaborative, Group Zero, between 1958 and 1961. -- from book's end-flaps. Introduction by Lawrence Alloway. Orginally published in Germany in 1958 and 1961 by Otto Piene and Heinz Mack. English translation by Howard Beckman added in 1970. Includes texts by Franz Roh, Max Burchartz, Arnold Gehlen, Hans ... [details]
Cambridge, 
MA, 
 

Specific Object may earn commissions from links on this page.

objects: 1