wrappers
offset-printed
paperback
black-and-white
25.5 x 21 cm.
73 pp.
edition size unknown
unsigned and unnumbered
Number 2 (Fall 1982)

description

Fall 1982 issue of Wedge magazine. Edited by Brian Wallis and Phil Mariani. Contents include: "Society of the Spectacle," by Guy Debord; "Psychopathways: Horror Movies and the Technology of Everyday Life," by Jonathan Crary; "'The Thomas Crown Affair,'" by Richard Prince; "An Interview with Rainer Werner Fassbinder," by Bion Steinborn and RĂĽdiger v. Maso; "Fragments," by Michael Oblowitz; "Photographs," by Barbara Kruger; "Tim Miller's POSTWAR: A Documentation," by David Alan Harris; "Rate of Exchange," by Jeff McMahon, photographs by Robert Flynt; "Music for Television: An Interview with Robert Ashley," by Pat Thomson; "A Picture is No Substitute for Anything," by Louise Lawler and Sherrie Levine; and "Notes on Quotes," by Martha Rosler. Cover by Hans Haacke. Includes contributor biographies. Issue dedicated to Man Ray (1970 - 1982), William Wegman's dog. Printed in black-and-white.
New York, 
NY, 

, 

Number 2 (Fall 1982)
wrappers
offset-printed
glue bound
black-and-white
25.5 x 21 cm.
73 pp.
unknown
unsigned and unnumbered
Fall 1982 issue of Wedge magazine. Edited by Brian Wallis and Phil Mariani. Contents include: "Society of the Spectacle," by Guy Debord; "Psychopathways: Horror Movies and the Technology of Everyday Life," by Jonathan Crary; "'The Thomas Crown Affair,'" by Richard Prince; "An Interview with Rainer Werner Fassbinder," by Bion Steinborn and RĂĽdiger v. Maso; "Fragments," by Michael Oblowitz; "Photographs," by Barbara Kruger; "Tim Miller's POSTWAR: A Documentation," by David Alan Harris; "Rate of Exchange," by Jeff McMahon, photographs by Robert Flynt; "Music for Television: An Interview with Robert Ashley," by Pat Thomson; "A Picture is No Substitute for Anything," by Louise Lawler and Sherrie Levine; and "Notes on Quotes," by Martha Rosler. Cover by Hans Haacke. Includes contributor biographies. Issue dedicated to Man Ray (1970 - 1982), William Wegman's dog. Printed in black-and-white.
New York, 
NY,